SYLLABUS FOR
INTRODUCTION TO CREATIVE WRITING
Term: Summer 033
Course Number: ENG 430X
Instructor:
Connie Wachala
E-mail: csowa@jorsm.com
Home
Phone: 219-922-8185
Office
Hours: Wednesday, 4-5
p.m.
Thursday,
6-7 p.m.
Course
Time: Wednesday, 1-4 p.m.
Thursday,
7-10 p.m.
Study
of the fundamentals of good writing in a variety of genres (may include
fiction, non-fiction, poetry, drama).
Focus on the connection between reading and writing. Analysis of
professional and student writing.
Prerequisites: ENG 103-104
Textbooks: Selected
Readings and Attendance at Events will be announced in class.
Statement
of Plagiarism:
If an instructor or other Calumet College of St.
Joseph personnel finds that a student has plagiarized or been involved in
another form of academic dishonesty, the instructor or other personnel may
elect to bring the matter up for judicial review. The maximum penalty for any
form of academic dishonesty is dismissal from the College. The procedures for
judicial review are listed under the section of CCSJ handbook that addresses
student grievances.
Withdrawal
from Classes:
After the last day for class changes has passed
(see College calendar), students may withdraw from a course in which they are
registered with permission from the faculty member conducting the course. A
written request detailing the reason(s) for the withdrawal must be filed with
the Registrar. Written request for withdrawal must be received by the Registrar
by the last day of classes prior to the final examination dates specified in
the catalogue. Written requests may be mailed to the Registrar or faxed to the
College fax number 219-473-4259. Students are to make note of the refund schedule
when withdrawing from courses. The request is forwarded to the faculty member,
who makes the final determination to accept or deny the request. If the request
is honored, the student will receive notification of official withdrawal; if
denied, the notification will indicate why the withdrawal is disallowed. Note:
Degree Completion Division (DCD) students should consult the DCD Student
Handbook for information on DCD withdrawals.
An official withdrawal is recorded as a
"W" grade on the student's transcript. Dropping a
course without written permission automatically
incurs an "F" grade for the course (see
Refund Schedule).
Class
Policy on Attendance: In accordance with English program
policy, any student missing more than nine (9) hours of class will receive an
F. These nine hours include both excused and unexcused absences.
0-3
hours absence—possible 10 points class participation
3-6
hours absence—possible 8.5 points class participation
6-9
hours absence—possible 7 points class participation
Class
Policy on Assignments: All assignments must be handed in on
time. Late papers will adversely affect the student’s grade. I will not accept
late papers the last week of classes.
Learning
Outcomes/Student Competencies: Students in this
course will:
General
Competencies:
1. Write coherently and creatively, making conscious and sophisticated stylistic choices in language and structure.
Specific
Competencies:
1. Develop
a strong clear voice and sense of audience in writing.
2.
Develop content, point of view and multiple
techniques in writing.
3.
Write in diverse genres and forms (e.g., poetry,
prose)
Assessment:
a.
attendance/participation 10%
b. reading
assignments (class discussion and quizzes) 10%
c. progress
and improvement in writing as reflected in the student’s portfolio 80%
Total 100%
Format
for Written Assignments:
All papers will be typed double-spaced, with
one-inch margins. Each assignment
should be stapled or paper clipped.
Grading
Scale:
A: 93-100 A-:
90-92 B+: 88-89 B: 83-86 B-: 80-82 C+:
78-79
C: 73-77 C-:70-72 D+: 68-69 D: 63-67 D-:
60-62 F: below 60
Class
Participation:
The class is a workshop. This means what goes on
in class is extremely important. It is absolutely imperative that students
attend all the classes and participate fully in the exercises, as well doing
all the required writing.
Class
Assignments:
Weeks 1-5:
There will be an emphasis on journal writing and
exploration of realistic and dream imagery and narrative movements in assigned
readings, in-class reading, oral telling, in-class writing, and outside writing
assignments. Readings that are heightened examples of the realistic and dream
modes will be read in class. Students will write their dreams and journal
entries with an emphasis on telling them as effectively and fully as possible.
Weeks 6-10:
Emphasis on reading published work and student
work in class. Discussion of elements
of story: characterization, plot, conflict, setting, point of view, etc. Students will see a video adapted from a
short story and comment on the differences and similarities, the problems that
must be solved by a writer versus a filmmaker.
Specific writing assignments will be made to heighten an aspect of
storytelling (e.g., opposite—point of view; monster telling—exaggeration and
sense of drama; folk tale—plot
movement).
Weeks 11-15:
There will be a move toward adapting the raw
material from one’s life or one’s journal into fiction. We will read examples
from writers who address this process (Tobias Wolff, Alice Walker, and Patricia
Hampl). Students will be guided toward
noticing and discussing how other writers mold their experiences into the
“stuff” of fiction. The final emphasis will be to have each student explore
his/her own storytelling capabilities with the goal of bringing a scene or telling
to completion and possibly submitting it for publication.
ENGL 430
Week 1: Concentration on journals and dreams.
Sept. 3 & 4 For next week: Complete and type in-class writing. (All weekly assignments
should be a minimum of 3 pages.) Write and type up a dreamed dream.
Week 2: Hand in typed assignment and dream. Bring journal to class.
Sept. 10 & 11 Work on exaggeration and comparisons.
For next week: Complete and type in-class writing.
Week 3: Hand
in typed assignment. Bring journal to
class.
Sept. 17 & 18 Work on “seeing in
the mind.”
For next week: Complete and type in-class writing.
Week 4: Hand in typed assignment. Bring journal to class.
Sept. 24 & 25 Work with gestures. Extended recall/comment.
(Extra credit for attending CCSJ Author’s Night reading Wed., 7:30 p.m.)
For next week: Complete and type in-class writing.
Week 5: Hand in typed assignment. Bring journal to class.
Oct. 1 & 2 Work on opposites.
For next week: Complete and type in-class writing.
Week 6: Hand in typed assignment (opposite). Bring journal to class.
Oct. 8 & 9 Concentration on point of view and vantage point.
For next week: Complete and type in-class writing.
Week 7: Hand in typed assignment. Bring journal to class.
Oct. 15 & 16 Work on “monster” story.
(Thursday’s class will attend literary journal publication party.)
For next week: Complete and type in-class writing.
Read hand-out of short story.
Week 8: Quiz on handout. Hand in typed assignment (monster story).
Oct. 22 & 23 View video teleplay based on short story. Discuss differences between
screenplay and written story.
For next week: Complete and type a one-act play.
Week 9: Hand in typed assignment (play).
Oct. 29 & 30 Start working on your own story. What themes do you want to explore?
For next week: Complete and type a draft of your story.
Week 10: Hand in typed assignment (draft of story start).
Nov. 5 & 6 Work on developing your story.
For next week: Complete and type an expansion of your story.
Week 11: Hand in typed assignment (expansion of your story).
Nov. 12 & 13 Work on developing and editing your story.
For next week: Complete and type expansion/revision of your story.
Week 12: Hand in typed assignment (revision.)
Nov. 19 & 20 Work on rewriting or create a new story.
For next week: Complete and type revision, or draft of new story.
Week 13: Thanksgiving (no class)
Nov. 26 & 27
Week 14: Hand in typed assignment (final version of story).
Dec. 3 & 4 Student reading.